Chapels of the Basilica of Saint Mary Above Minerva in Rome

The Basilica of Saint Mary Above Minerva, like many Catholic Churches, contains a number of chapels and altars. In fact, the Basilica of Saint Mary Above Minerva includes at least 22 chapels and altars.

The Chapel of St. Pius V includes an altarpiece painted by Andrea Procaccini (1671-1734) that shows Pius V raising the crucifix at the Turkish defeat. The body of Pius V is entombed below the altar.

The Chapel of the Annunciation was constructed in 1637 by the Confraternity of the Annunciation. Its centerpiece is a painting of the Annunciation, flanked by paintings of Saint Dominic and Saint Hyacinth.

The Lante della Rovere Chapel includes an altarpiece depicting St. Thomas the Greater presumably painted by Marcello Venusti. The chapel has memorials to Maria Colonna-Lante, Giulio Lante della Rovere, and their daughter Carlotta.

The Carafa Chapel was constructed between 1489 and 1492 by Cardinal Oliviero Carafa in honor of St. Thomas Aquinas. The altarpiece shows St. Thomas Aquinas presenting Cardinal Carafa to the Virgin at the moment of the Annunciation. Disciples of St. Thomas Aquinas appear to the sides.

The Chapel of the Sacred Heart was built in around 1577 in honor of the Resurrection of the Lord. The altarpiece, showing the Sacred Heart flanked by St. Catherine of Siena and St. Margaret Mary Alacoque was painted in 1922 by Mezzana Conrad.

The Chapel of St. Pius V

The Chapel of St. Pius V

SOURCE:  The Chapel of St. Pius V (Rome, Lazio, Italy); photographed by Stephen J. Danko on 12 August 2011.

The Chapel of the Annunciation

The Chapel of the Annunciation

SOURCE:  The Chapel of the Annunciation (Rome, Lazio, Italy); photographed by Stephen J. Danko on 12 August 2011.

The Lante della Rovere Chapel

The Lante della Rovere Chapel

SOURCE:  The Lante della Rovere Chapel (Rome, Lazio, Italy); photographed by Stephen J. Danko on 12 August 2011.

The Carafa Chapel

The Carafa Chapel

SOURCE:  The Carafa Chapel (Rome, Lazio, Italy); photographed by Stephen J. Danko on 12 August 2011.

The Chapel of the Sacred Heart

The Chapel of the Sacred Heart

SOURCE:  The Chapel of the Sacred Heart (Rome, Lazio, Italy); photographed by Stephen J. Danko on 12 August 2011.

Copyright © 2011 by Stephen J. Danko

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The Basilica of Saint Mary Above Minerva in Rome

From the outside, the Basilica of Saint Mary Above Minerva in Rome, Italy is a rather plain looking building. The basilica belongs to the Dominicans who began building the present structure in 1280 AD and completed it in 1370 AD. Despite its name, the basilica is built merely near the temple to the Roman goddess Minerva, not over it.

In the piazza in front of the basilica stands an obelisk on the back of an elephant. The obelisk was under renovation during my trip. An inscription on the pedestal says that in the same way that the obelisk is supported by an elephant, a robust mind is needed to achieve wisdom.

Inside, the basilica is full of marvels. Michelangelo’s glorious sculpture of Christ the Redeemer is here, Saint Catherine of Siena is buried under the main altar, and noted painter Fra Angelico (Brother John from Fiesole) is buried here, his life and work commemorated in a stained glass window.

The Basilica of Saint Mary Above Minerva

The Basilica of Saint Mary Above Minerva

SOURCE:  The Basilica of Saint Mary Above Minerva (Rome, Lazio, Italy); photographed by Stephen J. Danko on 12 August 2011.

Michelangelo's Sculpture of Christ the Redeemer

Michelangelo’s Sculpture of Christ the Redeemer

SOURCE:  Michelangelo’s Sculpture of Christ the Redeemer (Rome, Lazio, Italy); photographed by Stephen J. Danko on 12 August 2011.

Main Altar of the Basilica of Saint Mary Above Minerva

Main Altar of the Basilica of Saint Mary Above Minerva

SOURCE:  Main Altar of the Basilica of Saint Mary Above Minerva (Rome, Lazio, Italy); photographed by Stephen J. Danko on 12 August 2011.

Tomb of Saint Catherine of Siena

Tomb of Saint Catherine of Siena

SOURCE:  Tomb of Saint Catherine of Siena (Rome, Lazio, Italy); photographed by Stephen J. Danko on 12 August 2011.

Stained Glass Window of Fra Angelico

Stained Glass Window of Fra Angelico

SOURCE:  Stained Glass Window of Fra Angelico (Rome, Lazio, Italy); photographed by Stephen J. Danko on 12 August 2011.

Copyright © 2011 by Stephen J. Danko

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Changes to the Public Death Master File (DMF) and the Social Security Death Index (SSDI)

Effective today, 01 November 2011, the Social Security Administration (SSA) changed its policy on what records it will use as source material for adding new entries in the Public Death Master File (DMF) which, in turn, is used to create the Social Security Death Index (SSDI).

The Agency decided that it can no longer use state death records to add new entries to the DMF. Furthermore, the SSA will remove approximately 4.2 million records currently on the SSDI because those entries were made based on information from state death records. I have reproduced a fact sheet about the change later in this post.

The SSA made this decision based on the Social Security Laws, specifically those laws described in Sec. 205 [42 U.S.C. 405]. Basically, the law says that information on state death certificates may be used to correct information already in the DMF, but may not be used for any other purpose, including adding new entries to the DMF.

The SSA will continue to compile the DMF from a variety of sources including death reports from family members, funeral homes, hospitals, Federal agencies, postal authorities and financial institutions. However, state death certificates which currently generate about 1 million entries in the DMF and SSDI every year will no longer be used.

Use of Death Certificates to Correct Program Information

(r)(1) The Commissioner of Social Security shall undertake to establish a program under which:

(r)(1)(A) States (or political subdivisions thereof) voluntarily contract with the Commissioner of Social Security to furnish the Commissioner of Social Security periodically with information (in a form established by the Commissioner of Social Security in consultation with the States) concerning individuals with respect to whom death certificates (or equivalent documents maintained by the States or subdivisions) have been officially filed with them; and

(r)(1)(B) there will be (i) a comparison of such information on such individuals with information on such individuals in the records being used in the administration of this Act, (ii) validation of the results of such comparisons, and (iii) corrections in such records to accurately reflect the status of such individuals.

(r)(6) Information furnished to the Commissioner of Social Security under this subsection may not be used for any purpose other than the purpose described in this subsection and is exempt from disclosure under section 552 of title 5, United States Code, and from the requirements of section 552a of such title.

Fact Sheet: Change to the Public Death Master File (DMF)

Q: What is the Public Death Master File (DMF)?
A: The Public DMF is a file of all deaths reported to SSA from sources other than States, beginning around 1936. It is not a complete file of all deaths and we cannot guarantee the accuracy of the DMF. The absence of a particular person on this file is not proof that the individual is alive. Further, in rare instances it is possible for the record of a person who is not deceased to be included erroneously in the DMF.

Q: When and why did we create the Public DMF?
A: We created the Public DMF in 1980 as a result of a 1978 Freedom of Information Act (FOIA) lawsuit filed in the Federal District Court by Ronald Perholtz. We make the Public DMF available through an agreement with the National Technical Information Service (NTIS), which is a part of the Department of Commerce.

Q: Where does SSA get its death records?
A: We receive death reports from family members, funeral homes, hospitals, States, Federal agencies, postal authorities and financial institutions.

Q: What change is SSA making to the Public DMF?
A: We began disclosing certain state records on the Public DMF in 2002. After review of the Public DMF, we have determined that we can no longer disclose protected State records. Section 205(r) of the Social Security Act prohibits SSA from disclosing State death records we receive through our contracts with the States, except in limited circumstances. Therefore, we cannot legally share those State records on the Public DMF. (Section 205r link – http://www.ssa.gov/OP_Home/ssact/title02/0205.htm)

Q: When will this change be effective?
A: November 1, 2011.

Q: How will this change affect the size of the Public DMF?
A: In 2010, we shared approximately 2.8 million death records, including updates or changes, on the Public DMF. We expect that yearly number to decrease by approximately 1 million. In addition, our historical Public DMF contains 89 million records. We expect that number to decrease by approximately 4.2 million records.

Q: How will customers of the Public DMF be notified of the change?
A: NTIS will send a letter to their customers notifying them in advance of the change.

Q: How will the change affect Federal agencies?
A: The law allows SSA to share all death records, including State records, with agencies that pay federally funded benefits. This change will not affect the Internal Revenue Service, the Centers for Medicare and Medicaid Services and some other Federal agencies. NTIS will notify the 18 Federal agencies that currently purchase the Public DMF about the change. Those agencies, and others, may contact us to determine whether they may qualify under the law to get all SSA’s death records.

Q: Are there other ways for the public to get death data?
A: Yes, State vital statistics offices are the first point of collection for death data.

Copyright © 2011 by Stephen J. Danko

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The Basilica of Santa Maria in Aracoeli, Rome

The Basilica of Santa Maria in Aracoeli (Saint Mary of the Altar of Heaven) stands atop the Capitoline Hill in Rome, Italy. It is the dedicated church of the Roman City Council (Senatus Populusque Romanus, SPQR) and it stands next to the National Monument to Victor Emmanuel II.

During the reign of Emperor Gaius Julius Caesar Augustus, adopted nephew of Gauis Julius Caesar, the Tiburtine Sibyl prophesied that “Soon from the sky will descend the King of ages”. Augustus built an altar called Ara Coeli or the Altar of the Heavens at the site. Indeed, Jesus Christ was born during the reign of Augustus.

The Basilica of Santa Maria in Aracoeli is built over the site of Augustus’ Ara Coeli. Images of Augustus and the Tiburtine Sibyl are painted in the arches over the main altar. Among the other sights in this basilica are a colossal statue of Pope Gregory XIII to whom we owe the Gregorian Calendar, and a stained glass window of the Holy Spirit.

The greatest treasure of the basilica is, however, a wooden statue of the infant Jesus, carved in the 15th century of olive wood from the Garden of Gethsemane. The original statue was stolen in 1994 and never recovered. The image now displayed in the basilica is a copy.

Main Altar of the Basilica of Santa Maria in Aracoeli

Main Altar of the Basilica of Santa Maria in Aracoeli

SOURCE:  Main Altar of the Basilica of Santa Maria in Aracoeli (Rome, Lazio, Italy); photographed by Stephen J. Danko on 12 August 2011.

Statue of Pope Gregory XIII

Statue of Pope Gregory XIII

SOURCE:  Statue of Pope Gregory XIII (Rome, Lazio, Italy); photographed by Stephen J. Danko on 12 August 2011.

Stained Glass Window of the Holy Spirit

Stained Glass Window of the Holy Spirit

SOURCE:  Stained Glass Window of the Holy Spirit (Rome, Lazio, Italy); photographed by Stephen J. Danko on 12 August 2011.

Santo Bambino

Santo Bambino

SOURCE:  Santo Bambino (Rome, Lazio, Italy); photographed by Stephen J. Danko on 12 August 2011.

Copyright © 2011 by Stephen J. Danko

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The National Monument to Victor Emmanuel II in Rome

The National Monument to Victor Emmanuel II (Monumento Nazionale a Vittorio Emanuele II) is a favorite subject of scorn in Rome, Italy but, apparently, people love to hate the monument. Its gleaming white marble exterior can be seen for miles and tourists flock there to climb its steps.

On the exterior of the monument, two guards stand watch at the Tomb of the Unknown Soldier while an eternal flame burns nearby. An equestrian statue of Victor Emmanuel II, the first king of a unified Italy looms in front of the structure.

Inside, there stands a sculpture of Winged Victory, similar to the two bronze representations of victory atop the monument.

Throughout the monument, artifacts are displayed, including some that might make a genealogist’s mouth water – bound lists of military personnel.

Tomb of the Unknown Soldier

Tomb of the Unknown Soldier

SOURCE:  Tomb of the Unknown Soldier (Rome, Lazio, Italy); photographed by Stephen J. Danko on 12 August 2011.

Equestrian Statue of Victor Emmanuel II

Equestrian Statue of Victor Emmanuel II

SOURCE:  Equestrian Statue of Victor Emmanuel II (Rome, Lazio, Italy); photographed by Stephen J. Danko on 12 August 2011.

Winged Victory

Winged Victory

SOURCE:  Winged Victory (Rome, Lazio, Italy); photographed by Stephen J. Danko on 12 August 2011.

Infantry Lists

Infantry Lists

SOURCE:  Infantry Lists (Rome, Lazio, Italy); photographed by Stephen J. Danko on 12 August 2011.

Copyright © 2011 by Stephen J. Danko

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Day and Night in Rome, Italy

Most of the photos I took in Rome were taken in daylight. For some reason, I didn’t have a strong urge to take photos at night, but places I visited in the day were transformed at night.

The one place I did take photos both during the day and at night was the National Monument to Victor Emmanuel II (Monumento Nazionale a Vittorio Emanuele II). The monument was erected to commemorate Victor Emmanuel II, the first king of a unified Italy. Although the perspective on the day shot is different than that of the night shot, the two photos make a pleasing pair.

I also saw two triumphal columns, very similar in appearance. The daytime photo is of Trajan’s Column and the nighttime photo is of the Column of Marcus Aurelius. Trajan’s Column, completed in 113 AD, commemorates the Roman Emperor Trajan’s victory in the Dacian Wars. Bas reliefs showing scenes from the Dacian Wars spiral up the column. The Column of Marcus Aurelius, completed before 193 AD, describes the exploits of Roman Emperor Marcus Aurelius in the Marcomannic Wars. This column was modeled after Trajan’s Column, with scenes from the Marcomannic Wars spiraling up the column. In the 1580s, on orders from Pope Sixtus V, Trajan’s column was topped with a statue of St. Peter and the Column of Marcus Aurelius was crowned with a stature of St. Paul.

Monument to Victor Emmanuel II - Day

Monument to Victor Emmanuel II – Day

SOURCE:  Monument to Victor Emmanuel II – Day (Rome, Lazio, Italy); photographed by Stephen J. Danko on 12 August 2011.

Monument to Victor Emmanuel II - Night

Monument to Victor Emmanuel II – Night

SOURCE:  Monument to Victor Emmanuel II – Night (Rome, Lazio, Italy); photographed by Stephen J. Danko on 12 August 2011.

Trajan's Column

Trajan’s Column

SOURCE:  Trajan’s Column (Rome, Lazio, Italy); photographed by Stephen J. Danko on 12 August 2011.

Column of Marcus Aurelius

Column of Marcus Aurelius

SOURCE:  Column of Marcus Aurelius (Rome, Lazio, Italy); photographed by Stephen J. Danko on 12 August 2011.

Copyright © 2011 by Stephen J. Danko

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The Piazza del Quirinale in Rome

The Piazza del Quirinale in Rome, Italy lies atop the Quirinal Hill, the highest of the seven hills of Rome. In the piazza stands an obelisk without hieroglyphics that was rescued from the Mausoleum of Augustus where it had broken into three pieces. The obelisk was placed in the midst of a group of four statues showing Castor and Pollux taming their horses.

At the perimeter of the piazza is the Palazzo del Quirinal, the residence of the president of Italy. In 1583, Pope Gregory XIIIÂ had the Palazzo del Quirinal built for use as a papal summer residence. Guards and officials stood at the entrance to the Palazzo del Quirinal while I was there.

The Palazzo della Consulta (Constitutional Court) also has a facade on the Piazza del Quirinale.

The Obelisk at Piazza del Quirinale

The Obelisk at Piazza del Quirinale

SOURCE:  The Obelisk at Piazza del Quirinale (Rome, Lazio, Italy); photographed by Stephen J. Danko on 12 August 2011.

Palazzo del Quirinale

Palazzo del Quirinale

SOURCE:  Palazzo del Quirinale (Rome, Lazio, Italy); photographed by Stephen J. Danko on 12 August 2011.

Entrance to Palazzo del Quirinale

Entrance to Palazzo del Quirinale

SOURCE:  Entrance to Palazzo del Quirinale (Rome, Lazio, Italy); photographed by Stephen J. Danko on 12 August 2011.

Palazzo del Consulta

Palazzo della Consulta

SOURCE:  Palazzo della Consulta (Rome, Lazio, Italy); photographed by Stephen J. Danko on 12 August 2011.

Sentry at Palazzo del Quirinale

Sentry at Palazzo del Quirinale

SOURCE:  Sentry at Palazzo del Quirinale (Rome, Lazio, Italy); photographed by Stephen J. Danko on 12 August 2011.

Copyright © 2011 by Stephen J. Danko

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The Basilica of Santa Maria della Vittoria in Rome

The Basilica of Santa Maria della Vittoria is located just across the street from the Moses Fountain in Rome, Italy. The basilica is home to several notable sculptures.

The jewel of this basilica is Gian Lorenzo Bernini’s sculpture of The Ecstasy of St. Theresa. This sculpture, created in 1647-1652, depicts a vision of St. Theresa of Avila in which an angel pierced her heart and, in doing so, filled her with the love of God.

Another notable sculpture is Alfonso Balzico’s 19th century work, Our Lady of Mount Carmel Giving the Scapular to St. Simon Stock.

A third sculpture is Domenico Guidi’s The Dream of St. Joseph. Under the altar where this work is displayed is a simulacrum or likeness of St. Vittoria, Roman virgin and martyr, after whom the basilica is named.

In the Cornaro Chapel where the Ecstasy of St. Theresa is located, there are two marble inlays in the floor, skeletons representing the hope and despair of the souls in purgatory.

The Ecstasy of St. Theresa

The Ecstasy of St. Theresa

SOURCE:  The Ecstasy of St. Theresa (Rome, Lazio, Italy); photographed by Stephen J. Danko on 12 August 2011.

Our Lady of Mount Carmel Giving the Scapular to St. Simon Stock

Our Lady of Mount Carmel Giving the Scapular to St. Simon Stock

SOURCE:  Our Lady of Mount Carmel Giving the Scapular to St. Simon Stock (Rome, Lazio, Italy); photographed by Stephen J. Danko on 12 August 2011.

The Dream of St. Joseph

The Dream of St. Joseph

SOURCE:  The Dream of St. Joseph (Rome, Lazio, Italy); photographed by Stephen J. Danko on 12 August 2011.

Saint Vittoria, Virgin and Martyr

Saint Vittoria, Virgin and Martyr

SOURCE:  Saint Vittoria, Virgin and Martyr (Rome, Lazio, Italy); photographed by Stephen J. Danko on 12 August 2011.

Hope

Hope

SOURCE:  Hope (Rome, Lazio, Italy); photographed by Stephen J. Danko on 12 August 2011.

Despair

Despair

SOURCE:  Despair (Rome, Lazio, Italy); photographed by Stephen J. Danko on 12 August 2011.

Copyright © 2011 by Stephen J. Danko

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The Fountain of Moses in Rome

The Fontana dell’Acqua Felice, better known as the Fountain of Moses, is a monumental fountain in Rome, Italy. It forms the terminus of the Acqua Felice, one of the main aqueducts of Rome. The fountain is modeled after the ancient Roman triumphal arches. At the top of the structure are angels displaying the papal coat of arms and an inscription honoring its builder, Pope Sixtus V.

The main part of the fountain, at street level includes three biblical scenes. On the left is Aaron Leading the Israelites to Water, in the center stands Moses, and on the right is Gideon Leading His People across the River Jordan.

Attic of the Fountain of Moses

Attic of the Fountain of Moses

SOURCE:  Attic of the Fountain of Moses (Rome, Lazio, Italy); photographed by Stephen J. Danko on 12 August 2011.

Aaron Leading the Israelites to Water

Aaron Leading the Israelites to Water

SOURCE:  Aaron Leading the Israelites to Water (Rome, Lazio, Italy); photographed by Stephen J. Danko on 12 August 2011.

Moses

Moses

SOURCE:  Moses (Rome, Lazio, Italy); photographed by Stephen J. Danko on 12 August 2011.

Gideon Leading His People across the River Jordan

Gideon Leading His People across the River Jordan

SOURCE:  Gideon Leading His People across the River Jordan (Rome, Lazio, Italy); photographed by Stephen J. Danko on 12 August 2011.

Copyright © 2011 by Stephen J. Danko

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The North and South Sides of the Ara Pacis Augustae in Rome

The north and south sides of the Ara Pacis Augustae in Rome, Italy are difficult to photograph, mainly because the exterior walls of the structure are so close to the walls of the building that was built to enclose them. However, nearby there is a scale model of the Ara Pacis with a key to the figures depicted on the north and south walls.

The figures in the friezes of the north and south walls are all proceeding westward in double file, celebrating the Peace of Augustus. Those in the south wall are especially interesting because they include Emperor Caesar Augustus himself (though the image of Augustus is only partially recovered).

A fully recovered group includes the Roman statesman and general Marcus Vipsanius Agrippa who appears in the frieze with a hood over his head. Agrippa was married to Julia, daughter of Caesar Augustus and, one of their children, Gaius Caesar, appears in the frieze, clinging to the toga of his father. The woman who follows them is thought to be either Julia (wife of Agrippa and only child of Augustus) or Livia (third wife of Augustus and stepmother of Julia). Following Julia/Livia is Tiberius (son of Livia and stepson of Augustus) who, after the death of Augustus, would become the second emperor of Rome.

The interior of the Ara Pacis structure is decorated with reliefs of garlands strung from the skulls of bulls.

Ara Pacis Augustae - Model of North Wall

Ara Pacis Augustae – Model of North Wall

SOURCE:  Ara Pacis Augustae – Model of North Wall (Rome, Lazio, Italy); photographed by Stephen J. Danko on 11 August 2011.

Ara Pacis Augustae - Model of South Wall

Ara Pacis Augustae – Model of South Wall

SOURCE:  Ara Pacis Augustae – Model of South Wall (Rome, Lazio, Italy); photographed by Stephen J. Danko on 11 August 2011.

Detail of Agrippa Group on the Ara Pacis Augustae

Detail of Agrippa Group on the Ara Pacis Augustae

SOURCE:  Detail of Agrippa Group on the Ara Pacis Augustae (Rome, Lazio, Italy); photographed by Stephen J. Danko on 11 August 2011.

Garland on the Interior of the Ara Pacis Augustae

Garland on the Interior of the Ara Pacis Augustae

SOURCE:  Garland on the Interior of the Ara Pacis Augustae (Rome, Lazio, Italy); photographed by Stephen J. Danko on 11 August 2011.

Copyright © 2011 by Stephen J. Danko

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